Mood: Sad.The collection has a strong utilitarian and military influence and features details like French stitching and all around impeccable construction. Don't forget to give credit to the original author/Youtube channel.
*Please, scroll down for the kalimba tabs (number / letter notes). 4.6 / 5 (13 x) Rate this tab: Add to favs.
1145 views |.Escucha mi primer sencillo que utilizo para este video:Guitarra Takamin.Escucha mi primer sencillo que utilizo para este video:Guitarra Takamin.Radiohead - Creep bass tabs. TikTok video from 🎱🫀 𝖉𝖔𝖑𝖑 🫀🎱 "you get the idea #radiohead #creep #butimacreep #LENOVOJUSTBEYOU #SearchForWonderMom #10MillionAdoptions #cover #omnichord". "The Best of the Pretenders/Break Up the Concrete". "Bluesman Miller's gigs prove stresses won't slow him down". "Blues Legend Returns to the Heights" (PDF). The Sex Revolts: Gender, Rebellion, and Rock 'n' Roll. Reception Īuthor Mike Segretto described "Precious" as being "particularly ferocious." Author Tom Moon called it an "enduring gem." References "Precious" was later included on the 2009 compilation album The Best of Pretenders.
Erlewine stated that this demo version was "nearly as tough" as the officially released version. A demo version from 1978 was included on the 2006 album Pirate Radio. Village Voice critic Robert Christgau considered the live version even better than the original. Ī live version of "Precious" was included on the 1981 EP Extended Play. A medley of "Precious" with " Brass in Pocket" and "Mystery Achievement" reached number 28 on the Dance Music/Club Play Singles chart. "Precious" was also released as a single in some countries, such as the Netherlands and Spain. "Precious" was first released on the band's 1980 album Pretenders. In an interview, Miller claimed that he told Hynde she would "probably have to go to Europe to get anyone to listen to you." Release Stress Blues Band, but Miller felt that Hynde's interest in original rock music did not fit in with what Miller wanted to do, which was traditional blues.
Stress both stayed", is the stage name of the Cleveland blues musician Bill Miller. Stress, referenced in the line "Now Howard the Duck and Mr. (Predictably, there were men on the same dance floor bemoaning Hynde's "macho" stance, so different from the women they knew. According to Mason, the restraint until that point makes this climax "more explosive." Ariel Swartley wrote in Mother Jones about the cathartic effect of this line for women in dance clubs:ĭozens of women, otherwise amicably engaged with partners, would stop short and mouth along with Hynde's switchblade-sharp delivery of her famous "Fuck off" line. Spin critic Charles Aaron noted that Hynde's singing this line "over whipsaw guitars" made it clear that Hynde "was more than a bewitching pout." Rolling Stone critic Ken Tucker noted that he gets "startled and shivery when Hynde rejects a would-be lothario" with this line. Scoppa also notes the "fearlessness" with which Hynde sings this line. The climax of "Precious" comes when Hynde sings the line "But not me, baby, I'm too precious/I had to fuck off!" Rolling Stone critic Bud Scoppa noted that Hynde swallowed the words "I had to" during the song's recording, making the phrase somewhat inaudible. Mason notes that the music of "Precious" maintains some restraint, but still sounds more threatening than other songs which sound angrier. AllMusic critic Stewart Mason described "Precious" as Hynde's "true calling card." Allmusic critic Stephen Thomas Erlewine praised James Honeyman-Scott's "phased, treated guitar" playing for how it supplements the "pounding rhythm." Music critic Simon Reynolds described the lyrics as a "strafing stream of syllables" mixing "speed rap, jive talk, baby babble," and the song as "punk scat, all hiccoughs, vocal tics, gasps and feral growls, weirdly poised between love and hate, oral sensuality and staccato, stabbing aggression."
0 kommentar(er)
